Criticism of T. S. Eliots Journey of the Magi suggests that the images of reputation and conversion are exemplification of the equivocalness of the world. The images of nature are at times beautiful--as in the ample v totallyeys and running streams--but are withal forbidding and dark in other portions of the poetry. Images of conversion are also both coercive and negative, as they are intended to canalise a comprehend of hope and uncertainty--just as conversion had left(a) an enigmatic timbre in Eliots own life. Sean Lucy, in T. S. Eliot and the caprice of Tradition, suggests that Journey of the Magi is a poem about the unclear nature of conversion. Reading the poem in the context of other apparitional poems, Lucy suggests that Journey of the Magi, A Song for Simeon and Animula . . . are all poems of the Christian perspective, they are all poems of acceptance and of resignation to a helping which is the only thinkable answer, but which seems to the protagonists, as hum an beings, close to impossibly unattackable and painful. They are purgatorial poems. (145) Here, Lucy uses acceptance in the same execration as hard, painful, and resignation to demonstrate the greyness of the world.
Nothing is slow and white; even the glory of the deliver of Christ may have negative consequences to some slew: The Magi and A Song for Simeon direct little of that high joy which the fork up of Our Lord nookie often inspire even in the most complete(a) artists (148). The Magi dont feel any of that high joy because their at rest place in the world has been changed and they no longer feel at peace. Leonard Unger di scusses Journey of the Magi in detail twice ! in his nurse T. S. Eliot: Moments and Patterns, both times in reference to the nature... If you trust to stick out a full essay, order it on our website:
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