A Cataclysm in Repose Essay

Gabriel Garcia Marquezs A truly one-time(a) Man with terrible fly is a short bilgewater that fuses together witching(prenominal) and earthy elements. In an interview, Marquez explains the bows and origins of this extraordinary air of authorship. The bosh (not surprisingly) is about an old earth with enormous wings who somehow ends up in a small Caribbean or Central Ameri evict town and the events that contact this occurrence. The floor is written in such(prenominal) a way that magical elements front in a seemingly realistic noticeting. The interview with Marquez, although never specifically mentioning the story, provides taste as to how he achieves import in this oxymoronic mood.Marquez attributes his magical-realistic style of writing to the reciprocal birth between novels and news media. Marquez says that his true profession is that of a journalist (131. This background in journalism helps keep his writing in a close relationship with reality (137). Marquez b esides states that trying to transpose reality can lead to losing contact with it and journalism is a good guard against that. As a journalist Gabriel Garcia Marquez believes that writing is hard ply that requires a certain technique with complex body part and c areful attention to detail. Marquez also describes a journalistic craft (138) used to concord things credible aphorism that there are four hundred and twenty-five elephants in the sky is much to a greater extent plausible than simply stating there are elephants in the sky. Evidence of this journalistic influence is distinctly seen throughout A Very honest-to-goodness Man with Enormous Wings and this makes the story seem much more believable. otherwise important aspect of Marquezs writing is his use of lustrous imagery. He began writing by drawing cartoons and in the contemporaries of all his books theres invariably an image (143), such as a photograph. Gabriel Garcia Marquez visited his hometown and he experien ced it as everything in the town evolved into literature. Marquez follows by saying that its always easy to tell whether a writer is writing about something that has happened to him or something he has read or been told (136). composition on his birthplace adds a champion of realism and imagery to the story. Marquez also go pasts book of facts to hisgrandmothers brick face style of story telling as an influence to his writing. She told things that sounded supernatural and fantastic, but she told them with complete pureness (138). The combination of these elements adds to the authenticity and colorfulness of Marquezs stories.Gabriel Garcia Marquez explains, in his interview, the importance of the first off paragraph as screen background the tone for the rest of the story. A Very anile Man with Enormous Wings is no exception. The story begins with a reference to Marquezs fascination with plagues as he describes an abundance of crabs afterwards lead days of rain. Marquez conti nues by saying that the world had been sad since Tuesday. Sea and fling were a single ash-gray thing This is an voice of the aforementioned journalistic trick which makes the sadness more believable. at that place is a convergence with the interview when Marquez says that every Mexican he sees in Europe leaves the quest Wednesday, as opposed to any other day. The ash-gray description also provides a vivid image of the sea and sky. The first paragraph ends with an introduction of the old man, prevent by his enormous wings. This does indeed set the tone for the rest of the story with minute descriptions, sharp imagery and the magical-realistic elements are introduced.The story continues with a detailed, precise, and unconventional description of an angel. countersignature about the angel gets out, and many peck come to see him, including the Priest, Father Gonzaga. There is evidence, in the beginning of the story that the setting is in a small Caribbean or Central America town, such as the one Marquez grew up in. Statements equal everyone knew, live women and referring to the priest as Father Gonzaga give the image of a small Spanish-speaking town. The credibility of the winged man as an angel is questioned in the story by Father Gonzaga. The visiting people ache and test the patience of the angel.Eventually, a amusement park took the attention absent from him, including a charwoman who had been changed into a spider for having disobeyed her parents (572), another example of the journalistic trick. An example of the brick faced story telling appears when things return to the time it had rained for three days and crabs walked through the bedroom (573). The paragraph simply ends here, with something completely fantastical told as if it were completely normal. The keepers ofthe angel bring in at the angels disbursement until people no longer wield to see him and eventually the angel regains his cleverness and flies away ungracefully.The interview did not specifically address A Very Old Man with Enormous Wings and therefore it was not useful in understanding the story nor did it take anything away from it. The interview was, however, effective and useful in understanding how Marquez can effectively write in such a unique style. The way the story seems to be so believable yet at the like time so fantastical is explained. If I could ask Gabriel Garcia Marquez another question, I would like to know more about what he meant by the intellectual writing and more on the influence of politics in his writing. Being a Marxist, how did this affect the non-traditional archetype of the angel? I found that, in general, the interview provided helpful insight on what makes Marquezs magical-realistic writing so vivid and believable.Work CitedStone, Peter H. An interview with Gabriel Garcia Marquez, unfathomable date and publisher.Marquez, Gabriel Garcia. A Very Old Man with Enormous Wings. The Story and its Writer. Boston, MA Bedford/St. Martins ., 2003.